Ryan Salge. 2014.

gaphite on paper.

— 1 month ago with 410 notes

John Tavener- Petra: A Ritual Dream, for string ensemble & voices (1996)

The Choir and Orchestra of the Academy of Ancient Music
Paul Goodwin

"As the early church spread to Greece, many ideas from the realm of Greek philosophy began to intermingle with fledgling Christian doctrines. One of these was the inferiority of all things material, and the consequent inherent impurity of mortal beings. This ancient paradox housed in each human soul — one that pits a carnal body against a spirit of divine origin — is one that has since been perpetuated to the point of presupposition; in his composition Petra: A Ritual Dream (1996), Tavener calls this idea into question and attempts to remind us of our divine origins. "Having in our minds desanctified ourselves," explains the composer, "we have also desanctfied the natural world in our minds. This self-image and world view have their origin in our loss of memory, in our forgetfulness of who we are, and in our fall to a level of ignorance and stupidity that threatens the survival of our race." The work, then, is "an attempt to see the human race as sacred beings, even as semi-divine beings, not in our own right, but because we are created in the image of God."

*text originally posted on Youtube by pelodelperro

— 1 month ago with 6 notes

Olivier Messiaen- Quatuor pour la fin du temps- VIII Louange à l’Immortalité de Jésus (Quartet For The End of Time- Movement VIII Praise To The Immortality of Jesus)

Messiaen was 31 years old when France entered World War II. He was captured by the German army in June 1940 and imprisoned in Stalag VIII-A, a prisoner-of-war camp in Görlitz, Germany (now Zgorzelec, Poland). While in transit to the camp, Messiaen showed the clarinetist Henri Akoka, also a prisoner, the sketches for what would become Abîme des oiseaux. Two other professional musicians, violinist Jean le Boulaire and cellist Étienne Pasquier, were among his fellow prisoners, and after he managed to obtain some paper and a small pencil from a sympathetic guard, Messiaen wrote a short trio for them; this piece developed into the Quatuor for the same trio with himself at the piano. The combination of instruments is unusual, but not without precedent: Walter Rabl had composed for it in 1896, as had Paul Hindemith in 1938.”

"Messiaen wrote in the Preface to the score that the work was inspired by text from the Book of Revelation (Rev 10:1–2, 5–7, KJV):

And I saw another mighty angel come down from heaven, clothed with a cloud: and a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire … and he set his right foot upon the sea, and his left foot on the earth …. And the angel which I saw stand upon the sea and upon the earth lifted up his hand to heaven, and sware by him that liveth for ever and ever … that there should be time no longer: But in the days of the voice of the seventh angel, when he shall begin to sound, the mystery of God should be finished …”

"The quartet was premiered at the camp, outdoors and in the rain, on 15 January 1941. The musicians had decrepit instruments and an audience of about 400 fellow prisoners and guards.[1] Messiaen later recalled: "Never was I listened to with such rapt attention and comprehension."[2]"

— 3 months ago with 4 notes
#Olivier Messiaen 

Blood and Nerve and Mind

Ryan Salge. 2014.

graphite on paper

— 3 months ago with 200 notes

Beati Mundo Corde.


Ryan Salge

— 5 months ago with 65 notes
#drawing  #graphite  #ryan salge 
Sehnsucht I. 2014. Ryan Salge

Sehnsucht I. 2014. Ryan Salge

— 5 months ago with 289 notes
Untitled. 2014. Ryan Salge

Untitled. 2014. Ryan Salge

— 5 months ago with 76 notes

The Protecting Veil- John Tavener

— 6 months ago with 2 notes
Untitled. 2014. Ryan Salge

Untitled. 2014. Ryan Salge

— 6 months ago with 807 notes
Untitled. 2013. Ryan Salge

Untitled. 2013. Ryan Salge

— 9 months ago with 157 notes
Untitled. 2013. Ryan Salge

Untitled. 2013. Ryan Salge

— 9 months ago with 163 notes
The Last Conversion of St. Francis of Assisi. 2013. Ryan Salge

The Last Conversion of St. Francis of Assisi. 2013. Ryan Salge

— 10 months ago with 128 notes
#St. Francis of Assisi  #Ryan Salge